Viljar Bøe's Good Boy is a film that skillfully plays with audience expectations and perceptions, creating a tense and disturbing atmosphere that lingers long after the movie ends. This Norwegian psychological thriller blends reality and horror, raising questions about identity, the boundaries of normalcy, and how far people are willing to go for their obsessions and fantasies. Good Boy is a modern horror story that combines a minimalist style with deep emotional tension, producing a film that is both shocking and intriguing.

At the heart of the film is a young woman who meets a man with an unusual and bizarre fetish – a friend of his behaves like a dog and demands to be treated accordingly. What initially seems strange and slightly humorous quickly turns dark and disturbing when the woman realizes this is not merely a game but something much deeper and more dangerous. As the story progresses, new layers of the man's past and psychology are revealed, drawing viewers deeper into a world of madness and perversion, where the boundaries between reality and fantasy begin to blur. The less we know about the plot, the better!

Good Boy has garnered attention for its boldness and originality, offering something entirely new and unexpected within the context of contemporary horror and thriller cinema. Bøe’s ability to play with the audience's expectations and fears has made this film a standout work, earning praise from international film festivals, critics, and fans alike. Good Boy is a story that haunts the viewer, offering an experience that explores the darker and more bizarre aspects of the human mind while daringly challenging modern notions of excessive tolerance.